Hear4U is a movement which brings friends, families, and strangers together to support each other in speaking up about men’s mental health and suicide here in the Tairāwhiti. July 2019 saw a loss that rocked our local forestry community. Krissy Mackintosh remembers her partner coming home early that day with the news that a fellow forestry family had lost their 21 year old son Toby to suicide; she recalls a community in shock. Krissy had recently discovered her love of making art from dried flora. At a friend’s request she gathered up all of the flowers that had been sent to the Fraser family following their son’s death, dried them, worked them into three heart-shaped wreaths and gave them back to Toby’s family. In that act of not giving up on those masses of flowers, and instead extending their ability to keep on giving and sharing their message of love and hope, Krissy found the seed for an idea, which was to become the Hear4U movement. Listening to the outpourings of shock and grief that followed, Krissy recognised herself in so many of the stories about Toby as ‘so outgoing, ‘the happy one’, loads of friends, the last person anyone thought this would happen to…’ Having been in that space multiple times herself, and having survived it; hearing the words, which would supposedly explain it all - the language of depression and anxiety - Krissy began to think more and more about the importance of destigmatising mental health and getting people talking about the stuff that she knew so intimately is a very normal part of life for many of us. Having lost ten of her own male friends to suicide Krissy decided that the best way to move forward was to “get guys out there, talking about this stuff”. Thinking about the things that have lifted her own spirits at times throughout her own life, like art, exercise and music, she set about creating projects and events to bring people together to understand men's mental health and suicide prevention better, through listening and learning from each other's stories and experiences. Jo Higgins-Ware and Renee Grant were an integral part of the establishment of Hear4U, which set about creating events to raise funds, and support established foundations, programmes, and charities that were already championing the cause. Connection, healing and education are at the heart of everything Hear4U does, and of course as the name of the movement suggests, the importance of letting people know you are always here to listen. The Hear4U team encourages us to keep asking the kinds of questions that let friends and family know that we are listening “Are you okay? Do you want to talk? Do you know how much I love you? Want to catch up? What’s up bro? You seem distracted.. You don’t seem yourself lately..” The first event was the Hear4U Exhibition and Auction, in which men modelled dried floral wreaths and an auction raised over $53K for the Movember appeal. To date, this is the highest amount raised for a foundation in Australasia. The donation helped fund ‘Headstart’, an educational programme that teaches men from all walks of life the importance of understanding mental health, wellbeing, and suicide prevention throughout the country. Since then a Hear4U Trailer built by Toby Fraser’s best mate Griffin Law, which went to Speedway events all around the country advocating for men to speak up on suicide prevention during Mental Health Awareness Week last year. The Good Blokes Xmas Appeal brought together photography and art with local builder Steven Huzzy modelling floral wreaths, another event which achieved some epic raising of funds as well as awareness. Just recently 140 people ran the Taupo Marathon for Hear4U. Almost everyone in the team had lost someone to suicide. Many had lost multiple people, across generations, and most of them male. Krissy was recognised for her contribution to men’s health in the community at this year’s Eastland Forestry Awards, receiving ‘The Good Deed Award’. It’s not an easy space to work in, but it’s clear from the richness of relationships that have formed amongst the Hear4U team, which continues to learn from each other, advocate for and work with over 100 men and their families, from all walks of life, that Hear4U is making a difference here in the Tairāwhiti. The group are in the early stages of becoming a registered charity and developing a new website, which will allow them to continue raising awareness, sharing stories and promoting their events and projects as well as enable people to support the cause. Krissy has also embarked on a book about Hear4U. If you want to know more or to join the movement, you can follow #Hear4U on Facebook or contact Krissy Mackintosh at ahear4ustory@gmail.com. Story by Sarah Cleave Photos 1. by Sarah Cleave, 2. supplied by Krissy MacIntosh

Painting Kelly Spencer adopted this lucky plastic cat years ago. Thanks to lockdown she got to sit down and give her a fabulous new paint job. @kell.sunshine This canvas is another family effort, Courtenay, Nick and daughters Shiloh (8 years old) and Rosa Butler (4 years old). Green Flash by Marg Hansen. 1. Cate King has started creating art works using the beeswax from their family beekeeping business @pauarikihoney 2. Cate has put a contemporary spin on the traditional Batik process. Find more of her lockdown creations @resist_studio. Brett Summerlee and 4 year old Key painted this mural ‘Tama nui Te Ra’. With the message ‘The Sun will always Rise no matter how Dark the night’ it acknowledges the better, brighter days that lie ahead. If anyone is keen on a swap, trade or Koha get in touch with Brett (or us and we’ll pass it on!) Dimensions: 2.4 x 1.2m Soon to be a basketball backboard. Collaborative painting in progress by Lennox (6 years old) Pippa (9 years old) and parents Sarah and Matty. Phoebe Gander has been painting peoples’ ‘Lockdown Walks’ @phoebeganderart Amanda Rutherford has completed the top painting for Montessori Kindergarten and has also been working on these floral works. Digital Art A Collab between Matt and Brendon showing two artists’ interpretations of a Hannya mask - used in Japanese theatre and often appearing in Japanese-style tattoos. Left side: @mattvoidtattoo / Right side: @brendon_the_barber ‘Gisborne Surf’ by Nikki Renwick @namiko_native_design Mixed Up Media Archie (13 years old), Benny McKinnon (10 years old) and their mum Katy Wallace are making a stop motion soap of family life in lockdown featuring themselves. Episode 1 is about Archie getting caught hiding his phone under his bed. Roimata Earrings, carved from stranded sperm whale jawbone by Guy Tuterangiwhiu O'Connor. @Kiwibone on Facebook Newspaper outfit by Irelyn Purnell (10 years old). Using some of the skills she's picked up at Tairāwhiti Museum Holiday Art Classes and a stack of Gisborne Heralds she created this swish little number. Pen on Paper by Rosie Cairns Mixed Media on board by Rosie Cruddas @rosiecruddas Photographer Tink Lockett and a photographer friend in Auckland set themselves a creative competition. This shot depicts feelings of opportunity and life going down the drain because of lockdown. @Tink M Lockett Flower crown made by Yulia Clark, Masha (11 years) and Yana (7 years). Preserved Protea Wall Hanging by Kate Briant @theruralflorist At the end of a few days of hard mahi in the garden Pascale Delos decided to stop some flax on its way into the compost… Amanda Roe has been collecting trash on the beach for the past year. Lockdown gave her the time and inspiration to make something with it. A magical fairy house for a magical place by Lily Rose Cairns, 9 years old. SSC News Banner by Sammy (12 years old) and Diego (10 years old) On the Tools Kelly Spencer knocked out this charming little drink shelf for the hammock - it was surely for this kind of job that lockdowns were made for…@kellsunshine The Scallywag: A bike by MattyK ‘Twas born of a bike or seven A free frame in freeze-frame, propped against an almond in blossom When lockdown was sprung on us like a frosty morning late for work What else do you do when there’s little to do and even less places to be? Create you do, that’s what. So we do. I strip, bang, sand, cut, weld, mask, spray away the days. Bolt it together all hotchpotch like and pop a wheelie for the freedom of days of youth and reliving it soon. As we get back to level 2, it’ll be my taxi. Me and ‘The Scallywag’ a steed thats stands for freedom Freedom so close I can taste it in the air. Aiden Nomell (14 months old) has had a super busy lock down renovating an old caravan to a sleep out, making a cool play area with Mum and Dad. Both projects have been done using stuff that was lying around and of course pallets! Writing By Neherā Kopa “The answer is that greed, which is to demand ever more, is a praiseworthy quality provided that it is displayed under the right circumstances. Thus, should a person show greed in acquiring science and knowledge, or in the exercise of compassion, high-mindedness, and justice, this would be most praiseworthy. And should he direct his anger and wrath against the bloodthirsty tyrants who are like ferocious beasts, this too would be most praiseworthy. But should he display these qualities under other conditions, this would be deserving of blame.” - Abdu’l-Baha Right now there’s a clip of a woman being flogged in the street. Her prosecutors take it in rounds, enjoying their time before handing the flog off for the next man’s turn - that’s only fair business. They’d forced a crowd to watch, dragged from their safe spaces . Made to surround so that the heat of their skin and eyes beat down heavy in tandem with the sun and the whip. Children can be heard playing just off-screen. Her prayers get louder so that now I can hear its cuts ring high above the rest and I don’t want to look at this anymore. Should’ve scrolled down first thing. Could have left it to get lost amongst the masses, sandwiched as it is between @globalpositivenews and @overheardnewyork. Let it gather dust. I can brush it off over a pint someday. Question: what use is it for me to subject myself to this when nothing is all I can do? If you’re familiar, you’ll know with shameful intimacy, the whisper of resentment that flickers right before the deep roiling of guilt washes in. If habit and conditioning can perverse the character, then surely rejection of iniquity is something that must be trained also. This is where I double-back, make myself watch, breathe through my nose, swallow down on my racing heart and closing throat. Did I do that right? Is it making a difference yet? (Stop. Train myself not to think so of myself when exposed to someone else’s pain) If your expectations were for a joyful sidepiece about my dog, take this as an apology. Nothings happened to him, he’s right here beside me, wrapped up tight, snoozing. Tomorrow is another day in the bubble; we’ll play in rays of light or cool waters. He’ll be a menace to society, as per. Maybe next time I’ll tell you how his antics caused a meltdown (mine: not his) of astronomical proportions. He waka eke noa. Wiggle Woo by Miro O’Neill Divingboards by Silke Steffen Shiny wet concrete Steam rising up through my nose and mouth Higher and higher to the painful blue skies Arrows of sun shooting down through my bodies, right Into the heart of an eccentric tiny, little golden flower Let's run, let's fly Let's dive right into it Race to the bottom of the seemingly neverending stairs to life I arrive and look: who took the stairs? Gone, nothing to climb and nevertheless so much to discover I never liked feeling my achy muscles hurting from tiny steps upwards upwards and upwards and upwards and upwards and upwards and and I turn around leave the stairs behind which are gone. Now. Turn around and dive into Oceans of sweet and wonderful tasting greens and softly colourful flowers Which are The stairs of tomorrow - At least in my dreams "Artitecture" “Seven years ago we decided to build our own place. Fast forward to now and I feel obliged to share some actual progress I have been making on the semi-rural legend that is “The Round House.” During this lockdown I’ve sacrificed many sunny days out on the farm to sit in my office with the hope of making this huge undertaking a reality for my family and the people that are tired of hearing me talk about it! I trained as an industrial designer but have been working in film and TV for 23 years. I’ve always found my initial, left field ideas are the best ones so when I started designing our future home around constellations, I kind of got lost in the weirdness of it. What a strange thing to do. Te punga (the anchor), māhutonga, the southern cross, croix du sud are just a few of the names for our most recognisable southern hemisphere constellation. A great metaphor the anchor is for a house: semi-permeance, safety and a connection to the earth, albeit a bit dubious. Until now, we have used our small farm as a testing ground for a more natural construction methodology that might relate to our future home. Our own building policies on the farm include: no paint, no treated timber, and no plaster. All floors are made of earth, all posts are recycled hardwood and all the labour has come from our family, friends or wwoofers. To me, sustainability is synonymous with perfection. It doesn’t really exist in our modern human world but I think we all need to push ourselves in that direction as much as we can. It is a slow process but the transition needs to happen and we all know it”. @barrywhitesnake Experimental Art After reminiscing with workmates about childhood junk food over a zoom call Sarah Pocock was inspired to try to re-create some old favourites at home. Sarah made these dark chocolate and sea salt pop tarts. A bit of a process but a good outcome apparently! Tamariki Beautiful creative moments from Juniper, Alfie and Esmeralda, a collab between Felix and mum Rosie, and Dehstinee’s Dad as a superhero :)

Last week Gisborne became one library richer. This sweet little cupboard with glass doors and rows of shelving sitting on the side of Murphy Road may not be immediately recognizable as a library, but library it is. It is Wainui’s Little Free Library to be precise. More than 90,000 Little Free Libraries can be found in 91 different countries around the world. Touted as the world’s largest book-sharing movement, the intent is to build community, spark creativity and inspire readers. Hayley Trashe’s reasons for getting one up and running in her own neighbourhood of Wainui run true to form. As someone who has always enjoyed having “a toe dipped into some community group or another” the idea of a community library fit rather well with Hayley’s current personal mission to spend less down time in front of TV or phone, and more time reading books. “I like reading but I haven’t necessarily been a big reader. Last year I set myself a reading challenge of 12 books a year with the App Good Reads. By October I’d read my quota so this year I set my goal at 18 for the year. Unfortunately since I have started studying reading for pleasure has taken a back seat. ” She is hoping that [Wainui’s Little Free Library] will encourage her to read more by coming across titles she might not necessarily have sought out herself and hopes that it will also do the same for others. “Books are expensive and while good books get passed around friends, I like the idea of increasing accessibility to those good books”. Hayley also likes the idea of a visit to Wainui’s Little Free Library becoming another thing you might add into your repertoire on a trip out to the beach if you live in town, (especially if you’ve forgotten your book!) She emphasises that the library is not just for people who live in Wainui and sees it as a great resource for backpackers and travellers too. Hayley came up with the idea for a community library at the end of June. Since then she has registered with the Little Free Library organisation and consulted with the Wainui community via the community’s Facebook page to gauge interest and get ideas for a suitable location. The structure itself was built from scratch by her lovely husband Whyte over the course of a few weekends from recycled materials. Installed on Sunday August 4, a microwave cookbook had appeared by Monday morning. Hayley added one book of her own and by that afternoon, there were 20 books sitting pretty in their temporary home. Hayley says it has been a relatively easy exercise and would love to see more of these community resources dotted around town. Earlier on a road trip around the upper North Island I found countless pātaka kai, or community pantries and free clothes piles dotted around the place. It’s not hard to understand why. They are spaces that encourage and enable us to be our own best selves both to each other and our planet, all the while providing an opportunity to stumble across each other and engage in a good old fashioned conversation - in this case very likely over a book. Look for Wainui’s Little Free Library on Facebook and for an even more enjoyable experience go have a browse in real life! It’s situated outside 8 Murphy Road. If you have a book you’ve finished with and think someone else might enjoy, take that too! Story Sarah Cleave Photograph Tom Teutenberg

Walking into TaiTech is a little bit like being enveloped in a hug. You’ll be welcomed at the door by Polly Crawford and depending on the day and time, the air will be abuzz with the hum of laughter and learning, and the whiff of home baking drifting through from the tearoom. The Tairawhiti Technology Trust (TaiTech) is all about giving people a hand up on their business and digital skills journeys. Sandra Groves recently went along to their Whare Atamai drop-in business hub in the Kāiti mall to find out just what goes on in there. TaiTech is run by a group of passionate people who believe in providing a community hub for people who want to develop ideas by using technology. The hub expanded from the ‘Gizzy Geeks’, a group of IT professionals who were working together to better integrate technology into our wider community. In 2019 Taitech started out as a once-weekly-hub at the Ka Pai Kāiti offices, soon growing to five times a week within the space of a few months. Funding from the Kanoa- Regional Economic Development & Investment Unit and the Ministry of Business Innovation and Employment allowed them to open full-time, running daily courses in their own Whare Atamai hub. TaiTech’s Operations Manager Polly Crawford has been involved from the early days and is amazed at the way in which the hub has continued to grow in popularity as well as scope. There are opportunities to start with the basics and upskill your digital skills, and many of Taitech’s participants are kaumātua/seniors. The hub has adjusted its programme over time to offer a wider range of business training too. One of their offerings is a one-on-one course for people who don’t currently have a smartphone, and in some cases, have never had one - thanks to Digital Wings, who refurbish digital devices. In this course participants can learn the basics like making a phone call, turning it on and off, adding contacts, texting, using voice and swipe texting. It might sound like simple stuff, but for those who have never had the opportunity to use a smartphone, let alone learn how to, this kind of opportunity is nothing short of life changing. A long-time student of the phone and computer course, Turei Walker, thinks the hub is an amazing place. He didn’t know anything about using a mobile phone, and now he feels heaps more confident. He reckons the mix of different cultures of the participants and the manaakitanga of the tutors make for an awesome learning environment “They make you feel at home and really look after you.” Taitech also holds workshops on everything from understanding copyright to small business needs, networking and tax advice. Much of the training is supported by Trust Tairawhiti, IRD, local businesses and subsidised by organisations like the Sunrise Foundation, Digital Inclusion Alliance Aotearoa (DIAA) and MBIE. DIAA provides courses that specifically cater to kaumātua such as ‘Appy Seniors’ for over 65’s and free ‘Better Digital Futures’ computer courses. Classes on email technology, social media, and online banking and shopping are also being integrated into the programme and other training options being considered for the future include how to use a Smart TV and video communications such as Zoom. One of the groups that meet regularly at the hub is the Creative Writing Group. Regina de Wolf-Ngarimu loves the relaxed environment and getting to meet other creative people. Everyone shares their stories and knowledge in a way you wouldn’t normally, she says, and adds that with a lonely pastime such as writing, engaging with other people really helps. So, if you have been thinking it’s time to work on your digital skills, need business training or just want to connect with other people, head along to TaiTech and speak to Polly, she would love to see you! Taitech also offers their venue for seminars, workshops and meetings by other groups. TaiTech is open Monday to Friday, 9am - 5pm in the Kāiti mall. You can contact them by email: office.taitech@gmail.com and you can follow them on Facebook. Story by Sandra Groves

MUSE was formed back in 2002 by a group of women wanting to create a safe and nurturing environment for women to make music, perform, and encourage other women to make music too. The story goes that Irene Pender (who now lives in Derry, Ireland) was sick of being drowned out by loud guy bands. As time went on MUSE came to be a musicians’ network for singers wanting to find accompanists, songwriters who needed singers, for women wanting to collaborate musically in general. Over the years it has been a safe space in which to experiment, to get experience performing and in which to enjoy the ‘womentorship’ of the MUSE Matriarchs. Many of those original members are still here in Gisborne teaching and performing. One of the MUSE Matriarchs, Tanya Mitcalfe reflects that things have changed since then; it’s much more common to see a female musician performing on stage these days. But she is still a strong believer in creating safe supportive spaces in which for women to perform and have a go. Many young women have been mentored through MUSE over the years and the Collective are proud of the recent success of two of their protégés, Jasmin Taare and Amy Maynard, who recently won the group section of Five Minutes of Fame on Māori Television. MUSE hasn’t always strictly stuck to music, with comedy, poetry and satire providing some memorable moments over the years. Who remembers the ‘DIY Plastic Surgery’ performance in which Keren Rickard a.k.a. Professor Parsnips decked Tanya Mitcalfe out in cling wrap, painted her with Twink and used a vacuum cleaner to suck out her ‘undesirable’ attributes? After a few years hiatus, MUSE is back and Smash Palace is hosting the Collective’s return tomorrow evening Friday August 6, 7pm. You’ll be able to catch up on what various MUSE members have been up to lately, (including Jasmine Taare!) and hear from some new members too, in a diverse celebration of women’s music. As any musician is well aware, the audience has a huge role to play when it comes to performance and MUSE events are no exception - everyone is warmly welcome! MUSE is always keen for new members, and as one of the most recent recruits Wendy Wallace attests, it is an awesome opportunity to work and collaborate with like-minded women to celebrate diversity, passion and prowess! If you’re interested in finding out more head to the MUSE Facebook page here: https://www.facebook.com/Muse-Womens-Music-Collective-113192210993366/ Story by Sarah Cleave

While Phil Kupenga (Ngati Porou, Te-Whanau-a- Apanui) was born and bred in Gisborne, he had been away for twenty years before returning home from Wellington with his family last year. Unlike many a city dweller who is lured to these fair shores by the prospect of a more laid back lifestyle, Phil was motivated to bring something of the city back here - opportunity. Prior to becoming a Business Analyst, Phil was in the New Zealand Police, and had always assumed he would be a career-policeman, loving as he did the camaraderie and not knowing what each day would hold. About 15 years ago however, Phil took two years leave without pay, intending to take a bit of time to rejuvenate before returning to the police force. Life however had other plans. Phil’s wife Rachael was working as an IT recruiter and when she saw a job come up with the Department of Corrections, she suggested he give it a go. While Phil didn’t have experience in Information Technology, he did have an understanding of the sector, and demand was high for more people in technology roles. While Phil describes his entry into the world of IT as having been in the ‘right place at the right time’, that high demand for people in the tech sector hasn’t changed and Phil is back here in the Tairāwhiti to ensure that his people have the opportunity to get some of that pie. Phil continued on from that initial IT role with Corrections to similar roles with New Zealand Trade and Enterprise and Inland Revenue before forming his Consultancy business “Next Chapter” in 2013. He provides business analysis for a range of government departments, working on a range of Information Technology and complex business projects. * * * A couple of years ago the Ministry of Social Development invited a number of experts to look at the segment of the population cycling on and off the benefit, often between seasonal work contracts. Phil was one of these experts, and in September 2019, the not for profit organisation ‘Orawa’ was formed to pilot a Cultural leadership programme to help whānau prepare for the work of the future; to support people looking to make sustainable and real change towards an independent and meaningful life in this continually evolving environment. Phil’s role in Orawa is to inspire people in the Hawkes Bay and Tairāwhiti regions to consider high value work in technology and entrepreneurship; growth industries that are ‘future-ready.’ That is, they are not going anywhere, anytime soon. In our region we have the second lowest median wage in the country. The median wage for Information Technology on the other hand, is 80 to 90K. There are plenty of IT jobs around here too, so Phil is not only tasked with upskilling our people but also matching them up with jobs in our own community. The son of a freezing worker, Phil believes in his people and wants to help people to lift their sights, to unleash their own potential. He wants to enable more people in our community to afford homes, and be able to spend more time with their families. It is undeniable that technology is shaping our futures and the Covid pandemic has only accelerated that. What advancements in technology are going to displace jobs? Currently fruit-picking robots are being trialled in Hawkes Bay, “rather than being the ones who lose their jobs to robots, let’s be the people designing the robots” urges Phil. In his 13 years in the industry it has become patently clear to Phil that there is a dire lack of diversity in tech, with very few women, Māori or Pasifika people occupying those roles. The way Phil sees it, a diversity of value systems is important to ensure that the thought leadership informing the direction of innovation and the ways in which technology is used, is not coming from one homogenous worldview. * * * Since coming back to the Tairāwhiti Phil has joined the Tāiki e! Whānau, where he supports people to do a three-month course in Full Stack Web Development, also known as ‘coding’ through Dev Academy. The first cohort graduated just last week and as the next cohort is underway with another due to start shortly, Phil is working with local employers to create pathways to employment for the graduates. I spoke to Andrew and Bomb (Pavaris) who have just completed the Dev Academy course, who reported that it had been “fun”, a word I least expected in relation to a course in coding I must say.. Bomb lost his job as a flight instructor after Covid hit, and is stoked with the opportunity he has been given to retrain. Both Bomb and Andrew said that there is heaps of online support throughout the course, and working alongside someone else had made it even more easier. A big part of the Dev Academy programme is to develop digital literacy skills. It’s more practical and vocational than a university degree and is designed to meet the requirements of the roles that exist in the sector; from coders, business analysts and testers, to quality assurance, UX designers and Cyber security. All those roles are in high demand in our country and that demand has only been increased with Covid. Students who complete the Dev Academy programme with Phil get the benefit of being a part of the Tāiki e! community, where entrepreneurship is the norm, and a wonderfully diverse and inspiring array of people flow through the space. We have the creative edge here in the Tairāwhiti Phil reckons, but more capability technologically, combined with entrepreneurship will enable us to do something with all of these ideas. It’s a potent mix that will enable us to create our own autonomy, our own industry and stem our current reliance on the primary industries. But first we have to build our own capability from the inside, and to do that we need to start believing in ourselves! If you are interested in doing the course or are an prospective employer interested in what Phil is up to, please get in contact with him at 021877827 or phil@nextchapter.co.nz.

Te Aroha Paenga (Right front) with a table of keen Kawhe Klub participants What do you get when you combine kawhe (coffee), people and te Reo Māori? When Sandra Groves checked out the Kawhe Klub at Far East Roastery last week, she found a whole lot of good vibes, heaps of kōrero and a friendly approach to learning te Reo Māori. Te Rūnanga o Tūranganui a Kiwa kaimahi, Te Aroha Paenga, explained how it works. The learning is tailored to people with different levels of te Reo and each week they provide sound bites to kōrero. Resources are available to support learning from phrasing, to ordering kawhe, greeting each other, basic grammar, fun sayings, and other daily interactions. It is a great way to learn in a real-life setting that allows everyone to learn, practice, and connect with others on their Reo pathway—especially those who might otherwise not have the time to access more formalised learning. Steve King and Jo Pepuere of Far East Coffee host the Klub and Steve reckons it's nice to have the kaupapa in an everyday situation to normalise te Reo Māori in our community and help people who don’t feel so comfortable speaking te Reo. You can join in (or not), everyone is welcome, and it is free. Around 25 people have been attending with praise for the relaxed learning environment. Regulars Donna Biddle and Anna Barber find the klub awesome. Donna is learning a few more words to kōrero and enjoys seeing people’s reactions as her vocabulary expands. Anna Barber says it’s a relaxed environment and she is grateful to be able to bring her baby along to be amongst others speaking her language. If you want to learn te Reo in a comfortable, relaxed setting and enjoy a kawhe at the same time, head along to the Kawhe Klub, it meets every Thursday 12-1 pm at Far East Roastery. They will be moving to other cafes around Turanga so keep an eye on the Kawhe Klub Facebook page @Kawhe Klub Turanga. Contact Te Aroha Paenga at TROTAK (tearoha.paenga@trotak.iwi.nz) for further information. Thanks to Te Mātāwai Funding for supporting this great kaupapa, now in its 4th week. Story by Sandra Groves www.firstchapter.co.nz Photo Sarah Cleave

At a recent Historic Places Trust Whare Kōrero, historian Jane Luiten gave a historical context to the discussion currently taking place in our community about Maori representation. “Local Government has been an important tool of colonisation” she says, “and in making our local government more inclusive it is necessary to look at that legacy of colonisation”. “Making a new home in a new place or making yourself at home in a new place takes a lot of energy and effort and it comes with hopes and dreams. In the case of colonisation of Aotearoa it comes with a flip side of dislocation and dispossession and pain” she began. When Jane went to university and discovered New Zealand history she was hooked. Much of her life has been researching Treaty claims that have been brought to the Waitangi Tribunal - about acts and omissions of the Crown that breached the Treaty. Jane has researched local government both on the East Coast and the King Country and her basic premise is that local government has been a very important tool of colonisation. “It’s not that it's just been applied wherever Pākeha settlement has gone, which it has, but it has within it an internal combustion engine which projects and propels Pākeha settlement to every forgotten valley in the country. It has done this and there has never been any role for Māori to include Māori interests, with very adverse impacts on communities … and it’s time to change that.” Jane says that “the reason it hasn’t included Māori is because the policy of the government since the Treaty was signed has been one of assimilation.” The presumption with local government is that you can be involved if you function just the same way Pākeha do – and Māori have not. “A longstanding Pākeha myth is that colonisation in New Zealand was done nicely. There have not been any colour bars in our legislation about what people can and can’t do. But we don’t need [colour bars] because there has been structural discrimination which has excluded people.” “It’s time we have a system that includes everybody’s interests - that’s where I am coming from,” says Jane. SOME FACTS Local government is a delegated power to carry out prescribed functions and public works a community needs. There is an annually recurring direct taxation on property, which pays for the public works - as most of us know, these are called rates. The council is empowered to borrow money to top up what they get from rates to get the works that we need done. “Why is something so boring, so crucial to colonisation and actually so interesting?” Jane asked the crowd of 45. “Because it’s actually the busy fingers of colonisation. This is where the rubber hits the road.” Civilisation as we know it depends on the productive utilisation of land. Roads are vital to that. to enable the development of farms, and to get produce to the market. It was the County function to build these roads and because it was the farmers who were on the county council, rural local government was largely preoccupied with roads and bridges. LOOKING AT THE HISTORY For the first 35 years after the Treaty of Waitangi, New Zealand was run as six provinces. Auckland Province included everything from Taupo north, including Poverty Bay, but the electorates were drawn from areas of significant Pākeha population: Auckland city, suburbs of Auckland, pensioner settlements and the Bay of Islands. There was a single ‘northern’ and ‘southern’ electorate for everyone else. Tūranga only became an electorate in 1873, shortly before the provinces were abolished. In this provincial period, the income derived by local government from rates was extremely limited. Public works were instead financed by the Land Fund. The Land Fund came from the purchase of Māori land by the Crown at a cheap price. The land was then cut up into surveyed parcels with road access and sold at a much higher rate. The profit margin went back to the provinces to support that settlement. The expectation from a buyer was that their property would come with a road. In 1876, the provinces gave way to centralised government and general territorial taxation, ie. annual rates on property, was introduced to pay for local infrastructure. To support expanding Pākeha settlement, New Zealand was carved into 63 counties and local government delegated to the elected county council. Each county in turn was made up of ‘ridings’, which were communities of interest who would for example, share a road. Representation on council, and the county finances, were based on the ‘riding unit’. WHAT HAPPENED HERE? Cook County in 1876 ran from just north of Mahia to Cape Runaway. The Waiapu Riding was basically the whole of the east coast. At that time there were 3400 Maori and 374 Pakeha living in Cook County - ten to one. Only ratepayers were able to participate in local government, meaning that 10th were in the driving seat. Two-thirds of them lived south of Kaiti. Waiapu Riding in 1884 was made up of just 18 electors/ratepayers. Most of them had been there less than 10 years and it was these select newcomers who started controlling road development and expenditure. Waiapu County Council was also the driving force behind the ‘Native townships’ legislation 10 years later. In a classic colonial misnomer, the legislation enabled the government to take up to 500 acres in districts where it was otherwise unable to acquire land through purchase – to establish Pākeha townships, not native ones. Tokomaru Bay (Tuatini), Te Araroa, Te Puia and Waipiro all started out in that manner. COUNTY FRANCHISE A longstanding cherished Pākeha precept is ‘no taxation without representation.’ But, Jane points out, wherever direct tax is involved, funny things start happening to representation, and to democracy. Rates were based on the occupiers’ column of rateable properties on the district valuation roll. The lack of any residential franchise meant that local government remained firmly in the hands of farmers, while strategies such as weighted voting and plural voting meant the wealthiest of them were elected to council. Weighted voting meant a single ratepayer could exercise up to five votes, depending on the value of his property. After 1899, the scale was lowered to a maximum of three votes. Plural voting meant a single ratepayer could vote in any riding in which he held property. DIRTY SECRETS These are the “dirty secrets” of local government. The residential qualification introduced in general government in 1879 was not extended to local government until 1944, and then residents were given a single vote. “Women got the vote much earlier in local government. This was not because of a desire to empower women, it was because landowners could place a wife or daughter over the age of 21 in the occupiers’ column in order to have more control over the electoral outcome.” Plural voting in general government ended in 1889; in local government it took almost another century, ending in 1986. Weighted voting was never a feature of general government but it only ended in local government in 1974. This still does feature in some form however, in that rural wards can get elected with 100 votes in Ruatoria for example, while it takes 4000 - 5000 votes to get voted in the city. Once they are at the table, they hold the same voting power. WHY CAN’T MAORI TAKE PART? “You can imagine that overnight imposing a property tax is a political act. If you have been occupying your land for 26 generations and someone says you have to start paying this tax every year, you are not going to like it much,” says Jane. It took 40 years from 1876 when territorial tax was imposed, to pull Māori land into the rating system and in 1910 all Māori freehold land was deemed to be liable for rates. MULTIPLE OWNERSHIP Despite Māori traditionally holding their lands communally, nothing was done to devise a mechanism where multiple ownership could be converted to multiple franchise. At the end of the 19th century, provision was made for a ‘nominated occupier’, where Māori could choose one of their number to go onto the valuation roll. This didn’t work well. By the 1920s a new system of ‘charging orders’ bypassed Maori occupiers altogether: county councils could go straight to the Native Land Court to have the rates charged against the land, and Māori landowners were not even sent a rates demand. If you didn’t pay your rates, you didn’t get a vote. “That just becomes a little unfair when you have this system where Māori weren’t even sent the demand to pay rates. “The whole bent of twentieth-century legislation has been aimed at rates recovery from Māori land but very little attention has been given to how that could be conveyed into representation.” THE EAST COAST ANOMALY If ever Māori stood a chance in joining the ‘local government club’ it was in Te Tairāwhiti. Still in possession of much of their land by the early twentieth century, Ngāti Porou were the pioneers of title consolidation and land development which meant that by the 1920s many were ratepaying farmers. The Māori councillors in Matakaoa County at that time, are a case in point. However, despite the Māori farming initiatives taking place, structural barriers still worked against Māori representation in local government. A 1938 inquiry into the non-payment of rates from Māori in Waiapu County revealed that 60 percent of the entries in the valuation book were inaccurate. “Court records of succession to deceased owners, or partitioned lands, were not transferred from the court to the valuation department, or the local body.” The local body resorted to court to recover rates, which meant there was no incentive to keep its records of Māori occupiers updated. RIDING CONFIGURATION If all else failed, riding boundaries were configured to retain control. Old rates books in the back room at the Te Puia county offices are split into two categories: European and Native, with data showing occupiers, owners, property descriptions, area, rateable value, rates owing, who paid the rates, and the date paid. “The devil is in the detail” Jane says, “it’s remarkable the patterns and trends that come up once you start collating.” In 1945, the year after introducing the residential vote, the Waiapu County ridings were reconfigured, with glaring disparities of electors between ridings, which widened over time. “From this time, Māori had a seat on council, but they never achieved anything proportional to their presence on the coast.” Riding configuration is one reason why: by 1980, Mata Riding and Hikuwai Riding had just 20 and 21 electors, as compared with Piritarau Riding’s 534 electors. Weighted voting ended in 1974 but plural and non-resident ratepayer voting continued until 1986. That year, for the first time, Waiapu County Council returned a Māori majority. One of the first things they did in their district scheme was to place the Treaty of Waitangi at the heart of all planning policy. The outcome was profound. Māori had been unable to return home to live on their land up the coast because of the planning rules, which said you couldn’t have more than one house on a title unless it was for a labourer. Māori were similarly prevented from building within old communities that had not been designated by the council as urban settlements, to avoid expenditure on amenities like footpaths and lighting. “So the council files are full of these letters asking permission to build on family land and being refused. All of a sudden there’s a change of thinking - let’s get as many people moving home as possible. They changed the rules.” That same year Waiapu County was amalgamated into Gisborne District. Not all of the gains were lost, but once again Māori were reduced to a minority in local government. The systemic exclusion of Māori from local government has meant that their interests have largely been ignored. On the coast it meant that whole communities like Whareponga did not have road access until the 1950s. At Rangitukia, there were 51 Maori households trying to dairy farm without a road. “Marginalisation hasn’t worked”, says Jane. “It is time to do things better”. Story by Debbie Gregory Photograph by Sarah Cleave

Leading up to the free whānau Matariki Concert being held at the Whirikoka Campus of Te Wananga O Aotearoa on Saturday, July 3 Merle Walker took the opportunity to talk to some of the artists who will be gracing the stage about the reason for the season, Matariki. Merle asked the questions: 1. As a Māori artist and producer within the music industry, how important is it for you to be able to celebrate Matariki not only through your mahi, but also as an individual? 2. As of 2022 we get to move forward as a nation by implementing Matariki as an annual holiday. This will be the first traditional Māori event recognised with the mainstream calendar. What impact do you see this having within the Music Industry, positive or negative? Tyna Keelan Tyna Keelan is a local artist, musician and producer who has been working in the music industry for years. This multi award-winning artist continues to create and produce his own music, while currently working at Te Wananga o Aotearoa as a Tutor and mentoring rangatahi when he has time. “Matariki is an important time in my calendar for a number of reasons. Being Māori and from Ngāti Porou we celebrate our uniqueness and our knowledge or maturanga that makes us special. “As an artist I find Matariki a great time to be creative and work on new projects. I tend to be busy at this time of the year as well with shows and projects so that's cool”. “I can see that there will be a lot of opportunities for Māori artists to exhibit their work regardless of medium, but most importantly it's a chance to share our culture and normalize this important taonga for all New Zealanders”. Tama Waipara While many of us will have encountered Tama as the CEO & Artistic Director of Te Tairāwhiti Arts Festival, he is of course also an Award-winning Artist, Singer/Songwriter and Composer. What a treat to be able to experience Tama performing at the Matariki Concert on Saturday… “Over the years Matariki has become an important time for artists to gather, to share new ideas, to recognise the ups and downs and to remember those who have passed on. There was a time when I knew absolutely nothing about Matariki so I feel fortunate there are those who have opened up this Mātauranga for us all to explore”. “Mostly positive I think. The season of Matariki is one opportunity to celebrate who we are as Māori but it’s not the only season. Being Māori is a year round celebration. Musicians are often busy at this time as well as the summer so it’s a great way to map out times of the year for different kaupapa. I don’t know what impact it will have on the industry but I feel very positive about the growth of our Reo Māori artists and young performers coming through who see and embrace a totally different way of making their way in the world”. LEON DAVEY Leon is a multi-talented guitarist, drummer, percussionist, songwriter and producer, and is a member of one of Aotearoa’s favourite reggae bands, KATCHAFIRE. “Honestly, it’s only because I am a musician that I celebrate Matariki at all, otherwise it would probably just be another day! “As an individual, I’m only starting to learn about my culture and language, my upbringing was very strict, and very religious. Also me and my wife have just started studying Te Reo Māori at Te Wananga o Aotearoa in Hamilton, we’re hoping to be able to converse with each other in the next 3 years. “And of course, the more I learn the more I will understand the importance of Matariki. “The fact that Matariki is going to be recognised as a public holiday in 2022 makes me so proud to be Māori. You know, people are gonna have a hard time stopping this movement, because we just won’t stop fighting until we have all that was taken from us, and until we have total equality. We lead the world in the resurgence of culture & language. Damn it feels good to be Māori! Lol!” “Any step forward with our language and culture is only good, because not only will it open the rest of the country to just how beautiful our language and culture is, but it will teach other countries in the world how to live as a nation by respecting each other’s language and culture”. Philly Tarawa Philly is the Program Director and a radio announcer on Turanga FM on a show called ‘The Switch Up’ from 10am to 2pm weekdays. He is also a part of local emerging band Supreme Brother Sound who will be releasing their first EP on July 14th and have a release party soon after on the 24th of July at The Dome. “Matariki is a time of reflection and a time where whānau come together to celebrate the year that was and start working on a year that is about to grace us. It is hugely important for us to use this time to heal the Wairua, the Tinana and the Hinengaro going forward. These things are what are important to me and my whānau, moving forward. “This is going to be huge not only for us as a nation but us as Māori people, for so many years we have put all our kaupapa Māori on the back burner and it’s about time our kaupapa get recognition. It’s about time we normalise this kaupapa so that we as Māori can use this space to uplift our culture and support all artists in all mediums, here in Aotearoa”. Story by Merle Walker Photographs supplied

A couple of years ago Kevin Pewhairangi and partner Kasey Brown were up in Gisborne, visiting from Wellington, where they were settled and raising their three sons. While they were here they saw a young mum pushing her pram through the rain, and upon stopping their car to see if they could help, found out that she was walking to a pharmacy to pick up a prescription. They picked her and her child up and took her to the pharmacy, but the situation played on their minds and ended up being one of those moments that was to change the course of their lives. Kevin, Te Whānau a Ruataupare, grew up in Tokomaru Bay and had worked in the David Moore Pharmacy attached to the old De Lautour Medical Centre in his early days of being a pharmacist. Since living away in Wellington, the De Latour Road Medical Centre had moved to become Three Rivers, and while a new bunch of doctors had started a new medical centre in its place, the pharmacy premises had remained vacant. Kevin and Kasey, who is also a pharmacist, were well aware that the young mum they had encountered was only one of many locals without their own transport who would have been feeling the loss of a pharmacy in the neighbourhood. The seed had been planted. In Wellington, Kevin and Kasey’s daily commutes were 1 ½ and 2 hours respectively, leaving only weekends for family time with their boys. They knew that coming home to Gisborne would enable more time with their young family. They could also see that a Maori-run pharmacy would only benefit the hapū and iwi of Te Tairāwhiti. And so it was that they became business owners just over two years ago, opening Horouta Pharmacy in the very same place Kevin had first worked as a Pharmacist. Kasey is also a pharmacist; a Wellington-born Samoan. She specialises in clinical pharmacy and works part time at Hauora Tairāwhiti, providing back up at Horouta Pharmacy when needed. Horouta Pharmacy then is uniquely positioned as a whanau/fanau-friendly pharmacy improving access to free professional healthcare and advice in its community. The role of a pharmacist is changing. More than just counting tablets now, pharmacies can give vaccinations and some can prescribe. Kevin understands how important pharmacy access is in ensuring that medical care and treatment are followed up with after people see their doctor and it’s particularly important to him that Māori and Pasifika people have a pharmacy that meets their needs. Horouta has a distinctly Māori and Pasifika flavour, in fact it’s the only Māori-Samoan owned Pharmacy in the country. This means you’re more likely to find Toi Māori than glamour stuff on the walls and shelves with locally-made kete and earrings and colourful harakeke potae alongside the popular Manutuke Herbs range, which originated here in the Tairāwhiti. Customers can kōrero with the pharmacist in te reo and Kevin is working towards fluency in te reo across all of his staff. Which brings us to another local, who has been a significant force in enabling Kevin to realise his dreams over the past two years of being a business owner. Kevin and Kasey had started out with an accountant who specialised in pharmacies, but they weren’t local and they didn’t hear from them until their taxes were due. Then along came James Burn, who had recently started a small business himself. While he was offering accounting services, he took a very different approach to the usual ‘distant accountant’. The starting point taken by James was to find out what Kevin and Kasey’s goals were, not just in their business, but their personal aspirations too. And so the financial plan they devised alongside James was built around them spending time with their boys and using their skills to help our people both locally and nationally. Kevin sits on advisory groups working with Pharmac, the Ministry of Health, and providing a Māori perspective on issues such as the Covid vaccine. Kasey is the Pacific Advisor to Otago’s School of Pharmacy and Kevin is the President of the Māori Pharmacists' Association. James’ role as their accountant is to give them the tools to reach their goals. They get a financial report every two months and James calls up to discuss how they are going. They find his reporting easy to follow, which shows them the areas they are doing well in, and those that need attention. Empowering staff is important to Kevin, having positive memories of being looked after and a part of the team at David Moore Pharmacy under David Moore’s mentorship and support. They aspire for their staff to be fluent in Te Reo Māori, and are currently supporting their pharmacy technician to attend reo classes to learn. As one of only 2% of pharmacists who are Māori, Kevin is adamant that the healthcare system needs change. He visits kura kaupapa to encourage rangitahi to consider pharmacy as a career and makes an effort to be at the table on advisory groups. He knows his day to day experiences need to be represented in those spaces, often dominated by an older and retired demographic. Meanwhile, Kevin finds James Burn a good partner when it comes to helping him to keep it real in his own business. He says that James provides a personal touch that is usually lacking when it comes to finances, and Kevin likes it that their meetings take place at James’ home. They’re doing coaching sessions to plan for the year ahead, looking at past performance and the direction they’re heading, to make sure they’re on track to meet their goals. And when he’s not in the pharmacy, planning with James or advising on boards, Kevin is probably jamming with his band, SuperFly Killa. You can find their EP on Spotify, and surely catch them live at a gig sometime soon?! Once they’ve finished recording their next EP perhaps.. And make sure you visit Horouta Pharmacy next time you’re in the neighbourhood, for a refreshingly local experience of the pharmacy model. Thanks to our wonderful sponsor and accountant with the mostest, JBA Accountants & Business Advisors for getting us in touch with this inspiring local business and the choice humans behind it! Story by Leah McAneney & Sarah Cleave Photograph by Sarah Cleave

A story about Coasty Kidds might have any number of beginnings. It might for example, start with the interviewer turning up to the Coasty Kidds store and spending the first half hour or so having yarns with Dion’s dad, Busby Akuhata - who might just be the original coasty kid himself. It was Busby who taught Dion to dive when he was seven years old, and listening to these two talk diving yielded a pretty good insight as to how Dion had ended up on his chosen path. It would be equally as fitting to start a story about Coasty Kidds with the word ‘partnership’. Dion attributes his partner in life and business, Reremoana with “getting the gears grinding in [his] head” early on in their relationship, and keeping Coasty Kidds evolving and growing into itself ever since. Dion says it was Reremoana who helped him to see the value in all of the experience and knowledge he had accumulated over the years he’s spent in the moana; who eventually convinced him it was worth sharing. A story about Coasty Kidds might begin with some conjecture about when Coasty Kidds actually began.. Was it nine years ago when Dion was working as a commercial diver in the Hawkes Bay and created the Instagram handle ‘Coasty Kidd’ to represent his connection to the Coast? Or was it when Reremoana finally said to Dion something along the lines of “You know that Coasty Kidds kaupapa you’ve been talking about for years, well I’ve started the Facebook page, so now you’ve got to get some content in there”. Which brings us to the starting point that feels most apt for a story about Coasty Kidds, which is that of its kaupapa. Coasty Kidds is about sharing knowledge, values and tikanga about diving and the moana. As a commercial diver, Dion has seen too many people die from preventable dive accidents, “I wanted that badly when I came back to Gisborne, for no one else to die diving. Freediving is the most common dive practice around the world and most people don’t ever learn how to do it safely”. So Coasty Kidds began with education. The pair shared social media posts about diver safety, gathering and preparing kaimoana, about respecting tangaroa. Dion started providing dive training and branched out into supplying dive gear so that he could reach and help educate people when they came in to buy equipment too. Dion is the only qualified freedive instructor from Tauranga to Wellington and is also currently testing a pilot course for children through schools, ‘Tamariki of the Tides,’ which helps kids build a foundation of safety and confidence in the water, and learn how to be kaitiaki of our moana. Then, in November 2019, Reremoana shared a social media post of their whānau wearing the Coasty Kidds branded towel ponchos she had recently made for them. They were immediately bombarded with people wanting to buy them. So Reremoana and Dion set up a small-scale factory in their lounge and, joined by Dion’s brother, his partner and other friends that happened to drop in, everyone chipped in with the cutting out, and piecing together of parts ready for Reremoana to stitch together on her machine. That first run of towel ponchos sold out within an hour of posting them on Facebook and so began Coasty Kidds’ evolution into a lifestyle brand. These days the Coasty Kidds shop is brimming with merchandise designed and even made here in Gisborne, and there’s a winter range on its way. Dion says it had never occurred to him that people would ever be wearing their stuff, but supposes it’s what happens when you put fashion and diving together. From the outside looking in though, I’d venture that it’s more than that. For sure, Coasty Kidds is hearty, and like Dion jokes, heaps of people are happy to hold onto that idea of being a kid at heart, but this isn’t just your average apparel brand with a few fashionable values tacked on for good measure… Coasty Kidds has a meaningful and relatable kaupapa and not just for us here on the East Coast. Dion reckons they get photos from all around the country of people wearing their gears and he has realised that it’s not just people from around here that consider themselves Coasties; we’re all kids of the coast in New Zealand. This story about a creative, kaupapa-driven local business which continues to evolve and grow, looks and sounds pretty rosy right? A little bit like a starry eyed couple - a diver and a designer - who jumped in their waka and let the current lead them straight to fame and fortune? I wouldn’t be doing their story any justice if we were to leave things there, so let us continue... Dion tells me he dropped out of school when he was 13 or 14 years old. He describes learning at school as being ‘in the too-hard basket’ and as “nothing really processing”. It has only really been since meeting Reremoana that he has been able to recognise that he has really good ideas and knows how to carry things out, but when it comes to putting them down onto paper or trying to fit them into the system that we’re living within that he finds not only difficult, but actually, often impossible. The Freediving Course for example, that Dion had to do in order to become an instructor - he describes that day as the hardest of his life. Of course, having been a diver his whole life, he knew all the answers, but he didn’t know how to answer questions in the way he was required and so he failed that test the first time around. It has only been very recently that Dion went to a psychiatrist in order to try and understand why his brain works the way it does and a diagnosis of ADHD has come as something of a relief. Learning about why his brain is always going a million miles an hour and why every day is so draining is helping him with acceptance and motivating him to learn ways to better cope. “If I’d known this years ago, my life would have been way different” he says. Dion can also see how his neuro-diversity has probably enabled him to do things that other people might not manage so easily. He talks about how he could stay in the water for 8 hour days when he was on the reality TV Show, ‘Gold Hunters’ and is starting to appreciate the way it enables him to keep continually evolving Coasty Kidds, even though it is also taxing on him and his whānau. He can say now, “I’m good with people but not with the books” and know why that might be, rather than simply feeling bad about it. He’s starting to learn about how he best learns. Dion’s neuro-diversity may also go some way towards explaining what may look from the outside at least to be some kind of superhuman drive that has kept Reremoana and himself moving from the early days when Dion was still working in forestry, would get back from bush to open shop from 4:30pm and would work until late. Dion and Reremoana’s baby was born just 4 days after opening the Coasty Kidds store and soon after that Lockdown hit. Their supporters kept them going with online purchases through lockdown and after lockdown the pair sold their house, bought a caravan, and then lived off the grid in Pouawa over summer. Reremoana was hapu again and their baby learnt to walk at the beach. It was a chance to really test their mettle as true Coasty Kidds. “It’s been a crazy journey” says Dion and the pair are showing no signs of slowing down for anything or anyone. As their new baby’s due date draws closer, Reremoana has launched a new American Vintage Store out the back of Coasty Kidds. Dion is exploring Gyotaku, an art form, which remembers and respects a fish’s life by printing it, a nod to his own Cantonese ancestry and he is currently doing his Level One training, which once completed will enable him to teach people to dive to 20 metres. All driven by a single-minded passion to empower people with the confidence, the right gear and ability to provide kai for themselves and their wider communities indefinitely. It’s inspiring to find kaupapa-driven businesses like this, and not surprising to see it thriving when it’s built as it is on the stuff that matters.. No one’s saying it’s easy, but neither did anyone ever say it was meant to be, eh… Thanks for doing what you’re doing Dion and Reremoana - hearty as, you two! You can follow the adventures of the Coasty Kidds whānau on Instagram @coasty_kidds and Facebook @coastykidds. Story by Sarah Cleave Photographs supplied by Coasty Kidds

Creating an animation about mental health for our community was a daunting prospect. The topic is so weighty, because the outcomes can be so devastating. But, if we normalise, destigmatise and learn more about mental health, then we can save lives. If we keep talking about it, keep saying ‘it’s okay to not be okay’, then we’re more likely to reach out to each other during challenging times. We’re more likely to prioritise our mental well-being and take time off when we need to. I want mental health normalised to the point where it feels just as easy and acceptable to stay home for your mental health, as it is to stay home with a cold, migraine or physical injury. I want people to feel safe to talk about feeling fear, self-doubt, inadequacy and shame and to know that it’s okay to not be okay. Resources for support here in the Tairāwhiti: Call 111 in an emergency FACE TO FACE Te Waharoa (previously Te Kuwatawata) Free to drop in - no appointment needed 26 Peel Street, (opposite the library) Gisborne 8.30am to 4pm weekdays Phone: (06) 868 3550 Pinnacle Health Referral through your GP doctor I Am Hope Go to iamhope.org.nz and click ‘I Want Help’ then scroll down to ‘Choose a Counsellor’ and type in Gisborne. ONLINE / PHONE 1731 Free call or text 1737 any time for support from a trained mental health and addiction professional Lifeline 0800 54 33 54 to speak to a counsellor, available 24/7 (or free text HELP to 4357). www.lifeline.org.nz Depression Helpline 0800 111 757 or text 4202. https://depression.org.nz Suicide Crisis Helpline 0508 828 865 (0508 TAUTOKO). This is a service for people who may be thinking about suicide, or those who are concerned about family or friends. Kidsline 0800 54 37 54 for children aged 5 to 18 years. Those who ring between 4-9pm on weekdays will speak to a Kidsline buddy - specially trained teenage telephone counsellors. 0800 WHATSUP Children's helpline - 0800 9428 787, available between 1-10pm on weekdays and from 3-10pm on weekends. Online chat is available from 7-10pm every day at www.whatsup.co.nz. Animation and story by Steph Barnett (ONO Project)